

SPB has proven himself in freaky singing as well - "Rathiri nerathil" from Anjali ought to shut everyone up as to what this guy can do without a computer. he is bringing out a "periyaazhvar - nammaazhvaar' like devotion into the song and it is the best invocation of one's most loving spiritual self. SPB singing his softest -or softest possible - Listen to GKVenkatesh classic song in kannada "Bhoomige bandhaa devaki kandha" Having said that a versatile singer always amazes us and in the list there is none as versatile as SPB. Every singer has a unique GOD given voice that is required for a song and he/she shall be remembered for their timbre. I agree with A_E when he says that "yeah SPB can sing adho andha - but not match TMS in effect". SPB (what an anagram of acronyms.?) can easily do that still it wont sound as nice as PBS. Now in South india side, TMS cannot hit that sweet spot that PBS hits in "Nilavukku en mael ennadi kobam". He is also linguistically challenged when it comes to urdu - so heavily challenged in that regard.

In pathos he cannot even come close to Talat Mahmood or Rafi or even Mukesh. One other person who would have taken the set 6-0 for ilamai idho idho is Malaysia Vasudevan.Īs far as Kishore kumar is concerned -I agree with Plum - Single mode singer. Listen to Hero hero hero naane naane from kannada film Ajeya. padravaru.thanni thottilaa dive adichu vilaiyaadirupaaruīut think about Jesudas in ilamai idho idho. Thagida thagida (not completely similar). The question is which one'll be better absolutely - i cant imagine SPB singing in thanni thotti thedi vandha - jesudass stamps it firmly.emotions poettu paduradhu ellam ok, voice voice - adhu sathyama SPB is not the best spb would have finished the set 6-0 in thanni thotti. Absoleetly no somersault seems beyond him. Had a largely similar impression but just that I have listened to much fewer of his songs so was reluctant to be emphatic. Ofcourse, it is easy to put up a counter list in reaction but poRumaiyA nyAyamA yosichu sollunga.idhellAm example thEdaNumEnnu sonnadhu illai - just like that RAM-lErundhu instantaneousA retrieve paNNadhu. Ipdi ovvoru emotionum eduthA pala vishayangaL veLila varum Pothi vecha malligai mottula andha kindalum kEliyum kalandha andha sirippu - andha confident wooer's knowing egathAlAm "I know you have fallen for me" mixed with his own surging calf love. Oh butterfly-nu tender romance paNNa mudiyAdhu - vonly big bang macho "iyAm superman, give a kiss to your superking" romance emotion. If you have heard mere naina, you have heard his interpretation of sogam, longing in all its shades.Ī detailed look into spb's nuances is superfluous so any quoting will get a counter question avLO dhAnA. If you have heard jeevan se bhari, you have heard is interpretation of all shades of intense romantic look(mood). nalla masala singer - crowd pleasing but has one note for every emotion - if you have heard a yodelling song, you have heard it all. Broadly paints same strokes across emotions. (When it comes to the last wish at death bed, it has to be Thendral Vandhu.) The wind instruments, bass guitar, the jamming is simply staggering! I mean, the adaptation of the call and response idiom (the Afro-American jazz/blues pattern or our own Esappaattu) is unparalleled - i don't mean the duel between Malaysia and SPB, i mean the instruments and arrangement. IMO when it comes to the best use of trumpet and trombone, "Ennamma Kannu" is equal to if not better than Ilamai Idho Idho.
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I would turn the line PR said about this song on its head - feeling proud of people appreciating/welcoming this song - I would say its Raaja's master stroke or signature to pack in so much, in that time period and *yet* make it a mass song ("Vaa vaa pakkam vaa", Vijay TV nigazhchi onnula pottaan, idhellam eppadi conceive pannaan mottai!) There are very few songs where every moment is a surprise/wonder and where the composer packs in so much punch. PR and Vikki, neenga songs-a varnikkara vidham enakku remba pidikkin adhuvum indha paattukku, rembave nallllla senjeenga thambi. Late pickup, irundhaalum tayau(m) kedaikkumbodhellam padhivu panniranum.
